FREMDE ZONE
By Katy Bit
A young self-confident woman finds herself in an old warehouse at the edge of Berlin. Out of the dark a man with a soft voice appears, pulls a knife at her throat and overwhelms her. A stunning display of power, sex and submission begins and until the very end, it is not clear who is in charge. Somehow, a third party seems to be part of the play…
Lenght: 15 min
#kink #straight #toys #BDSM #overpowering #roughsex
Rudi Bloomfield
Adrian Feller
Captain Ginger
CAMERA
Theo Meow
Jo Pollux
KAMERA ASSISTENT
Katy Bit
SOUND RECORDING
Toni V.
LIGHTING DESIGNER
Dimitri
GAFFER
the Count
PRODUCTION ASSISTENT
Candy Flip
SET RUNNER
Captain Ginger
STILL PHOTOGRAPHY
Jo Pollux
EDITING
Katy Bit
THANKS TO
Katha, Killian, Theo Meow, Finn Peaks
“I really, really loved this film. Fantastic!”
– Fanpost
How should
we deal with our
darkest hidden
fantasies?
Director Katy Bit: “With my film FREMDE ZONE I offer another solution: Live through your sexual fantasies – playful and self-confidently. This film is inspired by my own experiences, both in relationships and through visiting the sex parties in Berlin. The location I chose is an abandoned factory in Berlin-Steglitz. The gloomy and brute aesthetics of the place perfectly suited the idea of the film. I knew this film would only really work if the actors really believed in the parts they were played. It took me a long time to find right pair. For the male role I cast Dante Dionys, who is a sex worker in real life and was able to perfectly fill out that part. His female counterpart is played by Dahlia Nyx, she also is a sex worker and effortlessly took on the role of the confident Lea. The tingly dynamic between the two was felt by everybody on the set – and kept the eight film crew awake long after midnight.”
Katy Bit is interested in feminist erotic films since her teenage years. As a filmmaker she approached the topic in documentaries. Later she evolved into a erotic film director exploring the unconventional and touching moments of the genre. She has worked on a range of productions from radical post-smut-formats to commercial adult films for well established companies. In her own work, like the award winning film LAST CALL, she combines the cinematic experience with the sensual forcefulness of erotic films and blurs the lines between straight and queer.
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